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Magnificence Full Ship: A love letter to in-bounds snowboarding


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Magnificence Full Ship: A love letter to in-bounds snowboarding

Written by Admin— Posted in October 27, 2022

2
Min Reading Time


Innsbruck-based movie manufacturing firm, Legs of Metal (LOS), groups up with Völkl for his or her first movie shot solely inside ski resort bounds. Comply with skiers Anne Kissling, Madison Rose Ostergren, Tim Fritz and Jim Ryan on their scorching laps down the entrance aspect of the Stubai Glacier in Austria in addition to Davos-Klosters and Madrisa in Switzerland.

“I used to be so excited that LOS and Völkl have been desirous to showcase in-bounds snowboarding. It’s what most individuals expertise, however not what most individuals see within the media,” says Ryan. “It’s not nearly powder and helicopters…it’s about snowboarding with pals and charging onerous on a regular basis!”

In Magnificence Full Ship, LOS captures the right stability between creativity, efficiency and edge with the corporate’s distinctive talent at creating an infectious vitality between the forged and manufacturing crew. “The venture felt actually particular as a result of we have been all so collaborative and artistic collectively,” recollects Ostergren. “I felt like we have been all acting at 120% your entire time.”

Ever since LOS’s 2021 movie, The Final Run, turned the primary ski movie to win a Sports activities Emmy Award within the class, “Excellent Digicam Work — Lengthy Kind,” we’ve been foaming on the mouth ready for his or her subsequent brief to drop. Irrespective of the place you bodily end up watching this 7-minute, excessive vitality movie, Magnificence Full Ship is bound have you ever daydreaming of strapping in and loading up first chair—simply you, your crew and the traces under.

Directed by: Christoph Thoresen

Forged: Anne Kissling, Madison Rose Ostergren, Tim Fritz, Jim Ryan

Areas: Davos Klosters (SUI), Madrisa (SUI), Stubaier Gletscher (AUT)

Filmed by: Christoph Thoresen, Andre Nutini, Mathias Kögel, Michael Haunschmidt

Edited by: Christoph Thoresen

Colour Correction: Lukas Cairns

Sound design: Alex Haslinger





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